Follow in the footsteps of alumni like Angel, Basilisk/Jack/Serpent, Bluth, Bucko, Carpathian/Vigo, Daedalus, Dutch, Hudson/Julius/Knut/Magnus, Karla/Prism/Wire, Kenmac, Navy, Skinny, Soup, S.park and Windsurfer …
Compiling puzzles is not the black art that it may seem to be. You need to know some basic techniques, and you need some structure to the way you work. Those things can be learned, as long as you have the type of mind that reads “Car Park” but pictures a fish sailing a boat, a carp-ark.
If you join one of my masterclasses, you can look forward to a stimulating day with a group of people representing a range of experience from relative newcomers to those who are nearly ready to have their work published. Class sizes are kept small, and you’ll receive individual attention and a critique of your work in progress, with suggestions of where to focus next.
In addition to your place in the class itself, you’ll receive over 250 pages of course material, written notes on your work and membership of an exclusive online community for news, support and clueing challenges.
All masterclasses are currently taking place online, but I’ll run occasional live classes in Brighton for those who prefer them, once Covid-19 restrictions have been lifted. The online class is split into two four-hour afternoon sessions instead of one intensive day. This gives extra time for reflection and questions, and I pass on any savings in the costs of venue hire and catering, which means that the cost is £135 per person instead of the usual £160.
There is also an advanced session for previous masterclass graduates, which costs £65.
Fun for Solvers Too
If you’re an advanced solver, you can enjoy seeing how a crossword is put together and getting an insight into how compilers think. You’ll find out about the tricks that compilers use when they’re trying to throw you off the scent, and you’ll increase your pleasure whenever you see a really well-constructed grid or a clever theme. Think of it this way: if you love music, you’ll get new insights from attending an instrumental masterclass, even if you don’t play yourself.
Alan Connor’s Blog
Excellent day, loads of useful information
Great day … such a complete course
Good to meet people who are trying to learn to play the same instrument and also get an insight into a maestro’s approach
Absolutely brilliant … I really feel ready to step up a level now
I’m really happy I signed up for this. I definitely feel motivated to keep going on my crossword setting quest
Alan Connor on Knut and Navy
Dave Gorman in the Telegraph
Saturday 15 and 22 May 2021
Two sessions, 2pm to 6pm
8 hours in total
These dates are now fully booked, but I’m taking reservations for the summer class.
Saturday 14 and 21 August 2021
Two sessions, 2pm to 6pm
8 hours in total
I’m now confirming bookings for my summer masterclass – get in touch now to make sure of your place!
Friends’ Meeting House
Saturday to be rescheduled
09:30 to 16:00
While uncertainty remains about the duration of social distancing measures, all live classes are currently suspended, but join the next online class – they’re just as much fun!
Brighton Friends Meeting House
My favourite venue for live classes: the Meeting House is in a quiet corner of the historic centre of Brighton, where we have our own room for the day and lunch is brought to us by one of the characterful local cafés.
Keep in touch with your fellow masterclass alumni by joining the exclusive online community, where you can ask questions, share news and enjoy tricky clueing challenges. Click here to go to there now.
Confirm Your Place
Click here to buy a place on the next class in my online shop – this will guarantee you a place, whether or not the date of the next class has been announced. If the date hasn’t been announced yet, I’ll do my best to give you a chance to influence the choice.
For more information about the classes, or if you have any questions about whether they’d be suitable for you, to put your name on the waiting list or make a provisional reservation without a final commitment, just drop me a line using this form.
- A brief history of wordplay
- Why do people do crosswords?
- Crossword Compiler and other software
- Ximenean and Libertarian traditions
- Issues and pitfalls with common types of wordplay
- Definition and surface reading
- Two methods of annotation
- Creating a grid from scratch
- How setters filled grids before computers
- Strategies for filling a library grid
- Introduction to themes
- Publication basics
- Your work in progress
Advanced Session for Masterclass Graduates
- The differences between creative, interesting and merely competent puzzles
- Unusual types of wordplay
- Alternative software for grid filling
- Advanced themes and gimmicks
- Managing the creative process
- Setting as a profession
- Beyond competence: the crossword as art form
This is a general indication of the material that we cover in each of the sessions. In practice, the content is driven by the interests and experience of the students on the day, and every class is unique.